Inspirations and touchstones have been the 70s punk electronics of synth pioneers Suicide, the glitchy dub experiments of Pole, the tape/synth/sampler explorations of Laurie Anderson, Glenn Branca's wall of guitars, and more recent sound design experimentalists Ben Frost, Tim Hecker, Oval plus the film scores of John Carpenter and movie soundtracks like Gone Girl, and It Follows

Essentially, I've tried to take Omnisphere to places it wouldn't normally dare go.

All patches will have something interesting mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made out of zeros & ones can possibly be.